Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Hermann Nigg
Nigg Karl Lueger in historischem Kostum

ID: 87477

Hermann Nigg Nigg Karl Lueger in historischem Kostum
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Hermann Nigg Nigg Karl Lueger in historischem Kostum


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Hermann Nigg

painted Nigg Karl Lueger in historischem Kostum in 1876  Related Paintings of Hermann Nigg :. | Portrait of Dmitry Levitzky | The Daughters of Colonel Thomas Carteret Hardy | Leocadia | General Sir Banastre Tarletonm fy | Portrait of Fanny Holman Hunt |
Related Artists:
Girolamo Troppa
Girolamo Troppa (1637-1710) was an Italian painter of the Baroque. He was active in Rome. He was a follower of Carlo Maratti. He painted for the church of San Giacomo delle Penitenti, in competition with the son of Giovan Francesco Romanelli. He died in 1710.
Bernadino Luini
Italian c1481-1532 Bernadino Luini Gallery
Ludovico Cigoli
Italian Baroque Era Painter , 1559-1613 was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Lodovico Cardi was born at Villa Castelvecchio di Cigoli, in Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori. Later, influenced by the most prominent of the Contra-Maniera painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th century Florentine painting. For example, for the Roman patron, Massimo Massimi, he painted an Ecce Homo (now in Palazzo Pitti). Supposedly unbenknownst to any of the painters, two other prominent contemporary painters, Passignano and Caravaggio, had been requested canvases on the same theme. It is unclear if they are completely independent. Cigoli's painting seems to have been made with knowledge of Caravaggio's canvas; however, while Cigoli's work lacks the power of Caravaggio's naturalism, the background shade and sparse foreground shows how much he was moving away from crowded Florentine historical paintings. This work was afterwards taken by Bonaparte to the Louvre, and was restored to Florence in 1815. One of his early paintings was of Cain slaying Abel.






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